Showing posts with label Saxophone. Show all posts
Showing posts with label Saxophone. Show all posts

Thursday, April 23, 2015

Charles Lloyd: NEA Jazz Master Tribute


"This is a music of freedom and wonder. It uplifts, it inspires, it touches the heart, and it heals. It is transformational. Jazz is our indigenous art form and is constantly evolving while remaining deeply rooted in tradition and nourished by the American terroir. I have been drunk with the pursuit of ‘the sound’ all my life – and have been blessed to stand on the shoulders of those who came before me and gave encouragement – this is also part of the tradition."

— Charles Lloyd

2015 NEA Jazz Master Charles Lloyd's SFJAZZ Residency runs from 4/23-26!

Wednesday, November 19, 2014

Branford Marsalis: In My Solitude

Marsalis Music and OKeh Records have teamed up to release a recording of the solo "Sacred Space" performance given by saxophone great Branford Marsalis at San Francisco's iconic Grace Cathedral during the 30th Annual San Francisco Jazz Festival on October 5, 2012.
Standing at the top of Nob Hill, Grace Cathedral has been a part of jazz history since it was completed in 1964 and consecrated by the legendary Duke Ellington with his Concert of Sacred Music, performed and recorded at Grace on September 16, 1965.

Concerts at Grace are an SFJAZZ tradition that goes back to the origins of the organization, and Branford joins the illustrious ranks of master saxophonists to perform in the space including Joe Henderson, Jackie McLean, Pharoah Sanders, Charles Lloyd, Dewey Redman, Steve Lacy, Anthony Braxton, Yusef Lateef, and Joshua Redman.

Entitled In My Solitude: Live at Grace Cathedral, Branford's new album captures the feel of the cavernous cathedral and its natural seven-second reverberation – an acoustic environment that Marsalis had to prepare for carefully. "Every room has a sound of its own. There’s a difference between playing in the Village Vanguard, and Alice Tully Hall in Lincoln Center, and Royal Festival Hall in London; and there is definitely a difference playing in Grace Cathedral, with its seven-second delay. Playing solo interludes in other rooms where my quartet performs was not going to prepare me. I had to hear that Grace Cathedral sound in my head."
In My Solitude contains the complete concert, including a selection of originals and standards, a movement from a C.P.E. Bach oboe sonata, and a set of improvisations that blend harmoniously with the unique acoustic properties of Grace Cathedral.

The album is available as a download, on CD and on 180 gram vinyl.

Listen to a sample:




Read more at the Marsalis Music website:
BRANFORD MARSALIS CELEBRATES MELODY AND FEELING ON IN MY SOLITUDE: LIVE AT GRACE CATHEDRAL

Wednesday, November 12, 2014

SFJAZZ Hotplate: Howard Wiley plays Coleman Hawkins


Howard Wiley digs into Coleman Hawkins' Body and Soul, playing through the ballad, and explaining Hawkins' vital role in the development of jazz, and popularizing the saxophone. At this Thursday's Hotplate, Wiley pays tribute to Hawkins in Joe Henderson Lab!

SFJAZZ Hotplate is a monthly series (every 2nd Thursday) that features local artists re-imagining the music of jazz legends.

Saturday, August 16, 2014

Video: SFJAZZ Collective on Joe Henderson's music


In conjunction with the Joe Henderson Hotplate Festival this weekend, the SFJAZZ Collective talk about the music of Joe Henderson, the late saxophone giant and longtime SF native who had a long association with SFJAZZ. The Collective are back on tour throughout 2014-15 playing the music of Joe Henderson + originals, including a 4-night run at the SFJAZZ Center, Oct. 23-26, 2014.

See all their Tour Dates.

Friday, August 15, 2014

Photo: Joe Henderson Lab Dedication Ceremony

Mel Martin + band playing Joe Henderson's Page One

Executive Artistic Director + SFJAZZ Founder Randall Kline reading a letter from Mayor Ed Lee recognizing Joe Henderson's legacy in San Francisco

DJ Pat Les Stache (TJ Gorton) spinning classic Joe Henderson vinyl

Joe Henderson's son Malcolm Daniel reminisces about his father
(meanwhile, his family acts as his paparazzi)

Mel Martin giving the Page One backstory, track by track

Joe Henderson's Family joined by saxophonists Mel Martin + Hafez Modirzadeh,
SFJAZZ's Don Derheim + Randall Kline

Saxophonist-educator Hafez Modirzadeh recounts the story behind Joe Henderson's
Selmer Mark VI saxophone

Up Close: Joe Henderson's Selmer Mark VI

Check out the full Joe Henderson Hotplate Festival Lineup.

Wednesday, August 13, 2014

Archive: Mel Martin Interviews Joe Henderson

A spur-of-the-moment duet: Joe Henderson + 18-year-old Larry Grenadier
at the War Memorial's Green Room, 1986

“What I was developing was a sense of not falling into that habit of playing the same things all the time. We are creatures of habit anyway so its easy to fall into them. You practice early on so that habits don't form which have to be dealt with later, like bad fingerings that you have to clean up later.”

“Teaching allows us to plant some trees, and to keep the art form alive. The information that was passed on to us helped us to enjoy the planet a little more through our music.”

—Joe Henderson

Originally published in The Saxophone Journal, above are two excerpts from saxophone great and Joe Henderson collaborator Mel Martin's interview with the iconic saxophonist and longtime San Francisco resident.

Read the full interview.

Mel Martin opens the 4-night Joe Henderson Hotplate Festival this Thursday (8/14), playing the music of Henderson’s 1963 debut, Page One, a landmark session and a remarkably self-assured first statement from Henderson as a bandleader.


In 2001, right after Henderson passed, Mel Martin filmed footage of vibraphone legend Bobby Hutcherson—a frequent collaborator and dear friend of Joe's—recalling some fond memories, notably a humorous story about giving Joe haircuts.

Learn more about the Joe Henderson Hotplate Festival.